Custom Master
Framing
Over 6,300 mouldings sourced worldwide — gilt, hand-finished hardwood, museum profiles. Every mat, glaze and mount is archival, acid-free, and built to conservation standard for the work it protects.
Est. 1989 · Fort Worth, Texas
Since 1989
For more than thirty-five years, Henson-McAlister has been entrusted with the Southwest's most significant works — from family heirlooms passed quietly between generations to museum-grade fine art bound for auction. Our philosophy has never changed: framing is not decoration. It is preservation.
The studio is housed in a 1938 concrete building — climate-controlled and secure — where every commission is treated as a single, considered act of stewardship. We frame a work once, correctly, so it is never handled twice.
Your work is insured, secured, and never out of expert sight.
Thirty-five years and the largest frame selection in the region.
Archival, reversible methods at every stage of the work.
What we do
From the first cut of a fillet to the acquisition of a major piece, the work never leaves expert hands.
Over 6,300 mouldings sourced worldwide — gilt, hand-finished hardwood, museum profiles. Every mat, glaze and mount is archival, acid-free, and built to conservation standard for the work it protects.
Sensitive treatment of canvas, wood, and metal objects — surface cleaning, consolidation, structural repair and inpainting. Reversible, documented, and carried out to the standards of the AIC.
Quiet representation and acquisition for collectors building, refining, or placing a collection. Discreet sourcing, condition assessment, and independent appraisal and insurance-valuation coordinated through our network of accredited appraisers.
Conservation Expertise
Conservation is patient, evidence-led work. We begin with examination and documentation, treat with the gentlest effective method, and use only materials that can be safely reversed. The aim is never to make a work look new — it is to stabilise it, honour its age, and return it sound for the generations who come after.
Surface cleaning, consolidation of flaking paint, tear repair, lining, and discreet inpainting under controlled light.
Stabilisation of panel and gesso, gilding repair, and structural treatment of frames and carved work.
Corrosion management, surface treatment and protective finishing for bronze, brass and mixed-media works.
How we work
The principal examines the work in person — medium, condition and history documented before anything is proposed.
A written treatment and framing proposal — options, materials and a fixed estimate, for your approval before work begins.
Carried out by hand in our secure studio with archival, reversible methods. Never rushed, never outsourced.
Delivered with documentation and care guidance — sound, stable, and ready to hang for the next generation.
Selected Work
A small selection of past commissions and treatments, shared with our clients' consent. Detail withheld to protect their privacy.
Trust & Credentials
Members of the American Institute for Conservation of Historic & Artistic Works — the professional body setting the ethical and technical standard for conservation in the United States.
Members of The Society of Guilders, dedicated to the craft and preservation of gilding and fine finishing — a discipline at the heart of master framing.
Clientele
Quietly trusted by private collectors, museums, and those for whom a single work means a great deal.
We work by introduction and discretion. Whether the piece is a museum acquisition or a photograph that has hung in one family for generations, it receives the same standard of care.
Visit · Enquire
Bring the work, or tell us about it. Consultations are by appointment, unhurried, and without obligation.